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Eduardo Guerrero at Aula Magna

In this show, Eduardo focuses his relationship with women in this boundary territory where feeling coexists with sensuality.

In the fourth century BC, General Sun Tzu wrote a book of military strategy – The Art of War – in which he stated:
victory is winning without fighting, ”and this is what happens in the theater of love’s operations. This is the scenario chosen by Eduardo Guerrero for his new show, named after his nickname. In this show, Eduardo focuses his relationship with women in this boundary territory where feeling coexists with sensuality. That is, in general terms, its pretext, to make war an art. This show undoubtedly marks a before and after in its trajectory.

 

Eduardo Guerrero Gonzalez (Cádiz, 1983) began dancing when he was just six years old at Carmen Guerrero’s School in Cádiz, where he forged the base of his dancing career that he then further developed with professional dancers such as Mario Maya, Antonio Canales or Manolo Marín among others.

He studied Spanish Dance in Cádiz at the conservatory of music, and afterwards he extended his contemporary and classic dance knowledge with David Greenall and Montserrat Marín.

It was in 2002 when he started to work with major artists on the national scene who valued Eduardo’s physical ability, flawless technique and evident quality developing leading roles in the company of Aída Gomez, Eva La Yerbabuena, Rocio Molina, The Spanish Ballet directed by Javier Latorre, Amador Rojas’ dance company, Antonio Canales, David Palomar…

In 2011, he was awarded him first prize by the Professional Conservatories for a choreography he created, called ‘Mayo’. Since then, Eduardo began a solo career taking over the creation of his own performances.

Among the numerous awards that endorse his career, we mention the First Dance Prize of the prestigious Las Minas de la Unión Festival 2013, which marked his consecration. In 2017 his show Guerrero wins the Audience Award of the Jerez Festival. Actually,

Actually, Eduardo combines his tours with the creation of a new work together with the artistic director Mateo Feijoo (at present director of the Matadero de Madrid). This is a long process of artistic research that forms a trilogy that began with “Qualitätskontrolle, 2016 in Amsterdam, the 2nd “Sombra Efímera” premiered at the Flamenco Biennial of Seville in 2018 and he is working in the most ambitious: “Sombra Efímera II” that will be premier at Teatro de la Maestranza in Seville, December 1st 2019.

Right now is this great dancer’s moment. His contemporary aesthetics, refined technique, profound knowledge of the Flamenco essence, his artistic talent and powerful force, places Eduardo Guerrero among the greatest names of the International Dance scene.

Specialized critic said that he is brutal, radical. He dances with fury and from the guts. Naked. An exorcism. But this Flamenco dancer never loses his elegance, the style that is his hallmark.

 

 

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